Hal Hartley[ (born November 3, 1959) is an American film director, screenwriter, producer and composer who became a key figure in the American independent film movement of the 1980s and '90s.]
His films provided a career launch for a number of actors, including Adrienne Shelly, Edie Falco, James Urbaniak, Martin Donovan, Karen Sillas and Elina Löwensohn.
Early life
Hartley was born in Lindenhurst, New York, the son of an ironworker.[ Hal Hartley Biography (1959–)] Hartley had an early interest in painting and attended the Massachusetts College of Art in Boston, where he studied art and developed an interest in filmmaking. In 1980, he was accepted to the filmmaking program at the State University of New York at Purchase in New York, where he met a core group of technicians and actors who would go on to work with him on his feature films, including his regular cinematographer Michael Spiller.
Early feature films
Hartley shot The Unbelievable Truth in 1988. Made on a shoestring budget and filmed in his native Long Island, it was an unconventional love story about a suburban Long Island teenager (played by Adrienne Shelly, a soon-to-be Hartley regular) falling in love with a handsome mechanic with a criminal past (Robert John Burke, also a soon-to-be Hartley regular). The screenplay featured what have become Hartley's trademarks – deadpan humour, offbeat, stilted, pause-filled dialogue, and characters posing philosophical questions about the meaning of life, combined with a degree of stylization in acting, choreography[See Steven Rawle, Performance in the Cinema of Hal Hartley (Cambria Press, 2011)] and camera movement. The film received positive reviews and was nominated for the Grand Jury Prize at the 1990 Sundance Film Festival.
Trust (1990) followed similar themes and style to The Unbelievable Truth, again an offbeat romantic comedy starring Adrienne Shelly as a Long Island teenager who forms a complex romantic relationship with a mysterious computer repairman (played by Martin Donovan, another Hartley regular). Trust won the Waldo Salt Screenwriting Award at the 1991 Sundance Film Festival. Hartley followed this with the short feature Surviving Desire (1991), a romantic comedy about a college professor (Donovan) who has an affair with a student (Mary B. Ward). Simple Men (1992), a drama about two brothers (played by Burke and Bill Sage) who reunite to search for their anarchist father and encounter two women in a small town (Karen Sillas and Elina Löwensohn), was entered in competition at the 1992 Cannes Film Festival.
Amateur (1994) marked a change of pace for Hartley, exploring somber themes. Described as "a metaphysical thriller", it starred Isabelle Huppert as a former nun trying to write pornographic fiction who meets Thomas (Martin Donovan), a man suffering from amnesia, and Sophia (Elina Löwensohn), Thomas's wife and a porn star, who reveals that Thomas was a violent criminal and pornographer.
Hartley developed Flirt (1995) as an extension of his short film of the same name made in 1993. The film is a triptych of three separate characters involved in romantic entanglements in different cities – New York, Berlin and Tokyo – with each story using the same dialogue. The film stars Hartley regulars Bill Sage, Parker Posey, Martin Donovan, Dwight Ewell and the Japanese actress Miho Nikaido, whom Hartley married in 1996.
Later works
Hartley achieved his greatest commercial and critical success with Henry Fool (1997), a comic drama about a near-catatonic garbageman Simon Grim (James Urbaniak) and his sister Fay (Parker Posey), who meet Henry Fool (Thomas Jay Ryan), a libertine and aspiring novelist who inspires Simon to write and seduces Fay and her depressed mother (Maria Porter). The film garnered positive reviews, and it was entered into competition at the 1998 Cannes Film Festival, where Hartley won the Best Screenplay Award.
Hartley was invited to contribute the American entry to 2000, Seen By... a series of films financed by French television to celebrate the 2000 millennium.[ Yoram Allon, Del Cullen, Hannah Patterson, Contemporary North American Film Directors: A Wallflower Critical Guide, Wallflower Press, 2002, p. 367.] His entry, a black comedy titled The Book of Life (1998) was shot entirely on digital video in New York City in 1998. According to the film summary "the end of the millenium has taken on a certain significance in modern day prophecies", and Hartley's The Book of Life considers a scenario where Jesus Christ has second thoughts about the Apocalypse and argues with the Devil.
Hartley's next feature No Such Thing (2001) tells the story of Beatrice (Sarah Polley), a journalist whose fiancé is killed by a monster in Iceland. Beatrice's editor (Helen Mirren) orders Beatrice to go to Iceland to interview the monster (Robert John Burke), who is a sensitive philosopher. The film also stars Julie Christie as a doctor sympathetic to the monster's cause. The film was screened in the Un Certain Regard section at the 2001 Cannes Film Festival.
The Girl from Monday (2005), filmed in New York City and Puerto Rico, is set in a future dystopia where people are encouraged to record their sexual encounters as an economic transaction and thus increase their consumer buying power. The film stars Bill Sage, Sabrina Lloyd and Tatiana Abracos. It premiered at the 2005 Sundance Film Festival and received a limited cinematic release, receiving mostly negative reviews.
In late 2005, Hartley moved from New York to Berlin and began preparing Fay Grim, an intended sequel to Henry Fool. The film, which starred Parker Posey, James Urbaniak and Thomas Jay Ryan reprising their roles from Henry Fool, was a comedy-drama in which Fay is coerced by a CIA agent (Jeff Goldblum) to try to locate notebooks that belonged to Henry (now a fugitive). The film was shot in 2006 in locations in Berlin, Paris, and Istanbul and premiered at the 2006 Toronto International Film Festival. It had a limited cinematic release in 2007 and received mixed reviews.
Since 1999, Hartley's films predominantly have been shot with digital cameras, including the features The Book of Life, The Girl from Monday, Fay Grim and Meanwhile (2011), in addition to his short films. His digital aesthetic is significantly different from that seen in the 1990s, and his films shot by Michael Spiller on 35mm film, which exhibit blurring of the image (due to a very low shutter speed), the use of freeze frames, and shifts between colour and black-and-white footage, also display a considerable divergence from the washed-out colours and straightforward cinematography of the Long Island films from the early 1990s.[Steven Rawle, Performance in the Cinema of Hal Hartley (Cambria Press, 2011)] Meanwhile received its world premiere at the Camerimage in Bydgoszcz, Poland on 29 November 2011. The hour-long feature was released on DVD in 2012 following a successful funding campaign by Hartley using the Kickstarter website.[Meanwhile by Hal Hartley – Kickstarter, Kickstarter.com]
In November 2013, Hartley funded Ned Rifle, the third film in the trilogy that began with Henry Fool and Fay Grim, via a Kickstarter campaign.[Ned Rifle by Hal Hartley – Kickstarter, Kickstarter.com] The film premiered on September 7, 2014, at the 2014 Toronto International Film Festival.[Dennis Harvey, "Film Review: ‘Ned Rifle’," Variety, September 8, 2014.]
From 2015 to 2017, Hartley directed eight episodes of Red Oaks.
Short films
In addition to his feature work, Hartley has made a number of short films, many of which have been collected and re-released in DVD anthologies.
Theatre
Hartley's stage play Soon, a drama dealing with the Waco Siege, between the religious community known as the and the U.S. federal government, was first produced at the Salzburg Festival and then later that year in Antwerp. It was also staged in the U.S. in 2001.
Awards
In 1996, Hartley was made Chevalier of the Order of Arts and Letters of the French Republic.
From 2001 through 2004, Hartley was a visiting lecturer at Harvard University
Hartley was awarded a fellowship by The American Academy in Berlin in late 2004, where he did research related to a proposed large-scale project concerning the life of French educator and social activist Simone Weil.
Works
Feature films
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| 1989 | The Unbelievable Truth | | | | | Also editor |
| 1990 | Trust | | | | | |
| 1991 | Surviving Desire | | | | | Also editor |
| 1992 | Simple Men | | | | | |
| 1994 | Amateur | | | | | |
| 1995 | Flirt | | | | | Also co-editor
Acting role: Hal |
| 1997 | Henry Fool | | | | | |
| 1998 | The Book of Life | | | | | |
| 2001 | No Such Thing | | | | | |
| 2005 | The Girl from Monday | | | | | |
| 2006 | Fay Grim | | | | | Also editor |
| 2011 | Meanwhile | | | | | |
| 2014 | Ned Rifle | | | | | |
| My America | | | | | Documentary |
| 2025 | Where to Land | | | | | |
Short films
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Kid (1984)
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The Cartographer's Girlfriend (1987)
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Dogs (1988)
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Ambition (1991)
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Theory of Achievement (1991)
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Flirt (1993)
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Opera No. 1 (1994)
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NYC 3/94 (1994)
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Iris (1994)
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The New Math(s) (2000)
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Kimono (film) (2000)
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The Sisters of Mercy (2004)
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Regarding Soon (2004)
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A/Muse (2010)
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Implied Harmonies (2010)
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The Apologies (2010)
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Adventure (2010)
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Accomplice (2010)
Theatre
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| 1998 | Soon | Director, writer and composer | Salzburg Festival |
| 2001 | Segerstrom Center for the Arts |
Streaming television
Bibliography
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| 2021 | Motherless Children | 978-1-7321817-4-8 | Unproduced television series screenplay |
| Where to Land and other screenplays | 978-1-7321817-6-2 | Screenplay collection |
| 2022 | Acts | 978-1-7379274-2-6 | Screenplay collection |
| Our Lady of the Highway | 978-1-7379274-3-3 | Novel |
| Amateur and Flirt | 978-1-7321817-9-3 | Screenplay collection |
External links
